Reflective statement of Aural Terrain

Our further development was to stream live video from the other room, with 3 separate cameras capture chest, throat and joint respectively in another room. The mean time, live signal was being sent to projector as 3 sub-screens. For a purpose of manipulating our sound visible by showing parts of the body where produce the sound rather than hide behind the white screen. One of the camera would be moving around to detect other parts of body may produce sound, as well as capture live video with a ridiculous angel that telling people where about was the sound coming from, the other 2 will keep still to filming particular parts of the body. For some reason, any more that 3 sounds would be cancel out each other, Or I can say such a messy and crack sound, which avoiding our initial intent of creating organic sound.

Conceptual statement of cinematic fluenea

The rail slider was inspired by skateboard as well as street culture. It was such an excitement of watching skateboarder to grind on the handrail. Our device aimed to make the audiences feel the passion of speeding on the handrails.
The concept of the device was turning single piece of handrail into a wonderful journey of the city where the routine and angel that people won’t walk on it. The front wheels and the back wheels were designed for fit in both square and round tracks as well as different widths or shapes of either handrail or edges of concrete by disassembling/assembling one of the side wheel.